Dream interpretation

There is always a Beginning to Grasp the Whole! P 4

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Stills from the Salvador Dalí-designed dream sequence in Spellbound (1945, dir. Alfred Hitchcock)

Most of the fundamental ideas of science are essentially simple and may, as a rule, be expressed in a language comprehensible to everyone.
~Albert Einstein

Today, I will continue from my previous instalment and share the second part of Freud’s chapter on how memories influence dreams.

Dr Freud reviews various researchers’ perspectives on dreams and offers several compelling examples of how human memories shape them.

(The title image I chose depicts a scene from one of my favourite Hitchcock films, in which Salvador Dali designed the sets for the dream sequences.)

The Material of Dreams—Memory in the Dream (Das Traummaterial – Das Gedächtnis im Traum)

The fact that the dream contains memories inaccessible to the waking state is so curious and theoretically significant that I wish to draw further attention to it by recounting other such “hypermnestic” dreams. Maury relates that, for a time, the word “Mussidan” would frequently come to his mind during the day. He knew it was the name of a French town, but nothing more. One night, he dreamt of a conversation with a certain individual who told him that she hailed from Mussidan; when he asked where the town was situated, she replied that Mussidan was a district town in the Département de la Dordogne. Upon waking, Maury placed no credence in the information he had received in his dream; however, a geographical dictionary informed him that it was entirely accurate. In this instance, the dream’s superior knowledge was confirmed, yet the forgotten source of that knowledge remained undiscovered.

Jessen recounts (p. 55) a very similar dream occurrence from earlier times: “To this category belongs, among others, the dream of the elder Scaliger (Hennings, *l. c.*, p. 300), who had written a poem in praise of the famous men of Verona; a man calling himself Brugnolus appeared to him in a dream and complained that he had been forgotten. Although Scaliger could not recall ever having heard of him, he nevertheless composed verses in his honour; his son subsequently learned in Verona that just such a Brugnolus had indeed once been renowned there as a critic.”

In a source to which I unfortunately do not have access (the *Proceedings of the Society for Psychical Research*), Myers is said to have published an entire collection of such hypermnestic dreams. I believe that anyone who occupies themselves with dreams must acknowledge that it is a very common phenomenon for a dream to bear witness to knowledge and memories which the waking subject does not suppose themselves to possess. In my psychoanalytic work with neurotic patients—which I shall discuss later—I find myself, several times a week, in a position to demonstrate to patients, based on their dreams, that they know quotations, obscene words, and the like very well, and that they make use of them in their dreams, even though they have forgotten them in their waking lives. I should like to share one harmless instance of dream hypermnesia here, as the source from which this knowledge—accessible only to the dream—originated was very easily traceable.

A patient dreamed—as part of a longer narrative sequence—that he was ordering a “Kontuszówka” for himself in a coffeehouse; however, when recounting the dream, he asked what on earth that might be, saying he had never heard the name before. I was able to reply that Kontuszówka is a Polish spirit—a name he could not possibly have invented in his dream, as I myself had long been familiar with it from posters. At first, the man refused to believe me. A few days later, after he had turned his dream into reality by ordering the drink in a coffeehouse, he noticed the name on a poster—specifically at a street corner he had been obliged to pass at least twice a day for months.

One of the sources from which the dream draws material for reproduction—material that, in part, is neither recalled nor utilised during waking thought—is childhood life. I shall cite only a few of the authors who have noted and emphasised this:

Hildebrandt (p. 23): “It has already been expressly acknowledged that the dream, at times, with a marvellous power of reproduction, faithfully brings back to our minds events that are quite remote and even forgotten, dating from the distant past.”

Strümpell (p. 40): “The matter becomes even more remarkable when one observes how the dream—at times, as it were, from beneath the deepest and most massive layers of sediment that later life has deposited upon the earliest experiences of youth—brings forth images of specific localities, objects, and persons, entirely intact and with their original freshness. This is not limited merely to such impressions as may have attained a vivid level of consciousness at the moment of their inception, or become imbued with strong psychological significance—impressions that subsequently reappear in the dream as genuine memories, in which the awakened consciousness takes delight. Rather, the depth of dream-memory encompasses also those images of persons, objects, localities, and experiences from earliest times which either possessed only a faint degree of consciousness or no psychological significance whatsoever—or which had long since lost both—and which, for this very reason, appear utterly strange and unfamiliar both within the dream and upon awakening, until their distant origin is finally discovered.”

Volkelt (p. 119): “It is particularly noteworthy how readily memories of childhood and youth find their way into dreams. Things we have long ceased to think about—matters that have long since lost all significance for us—the dream tirelessly reminds us of them.” The dream’s dominion over childhood material—which, as is well known, largely falls into the gaps of conscious memory—gives rise to interesting hypermnestic dreams, of which I shall, in turn, present a few examples.

Maury recounts (in *Le sommeil*, p. 92) that, as a child, he often travelled from his hometown of Meaux to nearby Trilport, where his father was supervising the construction of a bridge. One night, a dream transports him back to Trilport, allowing him to play once again in the town’s streets. A man approaches him, wearing a uniform. Maury asks for his name; he introduces himself as C… and says he is the bridge keeper. Upon waking—still doubting the memory’s reality—Maury asks an old servant, who has been with him since childhood, whether she can recall a man by that name. “Certainly,” comes the reply, “he was the keeper of the bridge your father built back then.”

Maury recounts another beautifully confirmed example of the accuracy of childhood memories surfacing in dreams, concerning a Mr F… who had grown up in Montbrison. Twenty-five years after leaving, this man decided to revisit his hometown and see old family friends he had not encountered since. On the night before his departure, he dreamed that he had arrived at his destination and, near Montbrison, met a gentleman whose appearance was unfamiliar to him; the man identified himself as Mr T., a friend of his father. The dreamer knew he had known a man by that name during childhood, but could not recall what he looked like while awake.
Upon actually arriving in Montbrison a few days later, he rediscovered the location from the dream—which he had previously not recognised—and met a gentleman whom he immediately identified as Mr T. from the dream. The real person had simply aged more than the figure in the dream image had suggested.

To be continued!

PS: I’ll translate and share the rest of this chapter in my next post. However, I’ve been told I need another surgery soon (the old problem is the new problem!), so I’m unsure when I can do so. Wishing all the best! 🤗💖

There is always a Beginning to Grasp the Whole! P 3

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Artwork: “Road Less Travelled 2” by Naked Monkey.

Sigmund Freud believed that memories and dreams are deeply interconnected. According to Freud, dreams are not random or meaningless; rather, they express unconscious desires, fears, and—most importantly—memories. He argued that many dreams are constructed from fragments of past experiences, some of which may be long forgotten or repressed.
Freud introduced the concept of “day residues”, in which events and thoughts from the previous day often appear in dreams, intermingled with older memories from childhood or earlier life. He believed that dreams serve as a way for the unconscious mind to process unresolved conflicts, using both recent and distant memories as material. These memories may be disguised, condensed, or symbolically represented in the dream, making their true meaning difficult to recognise without analysis.

One of Freud’s key ideas was that repressed memories—those which are too painful or unacceptable to face consciously—often find their way into dreams. Through the process of “dream work,” the mind transforms these latent memories into the strange and sometimes confusing images we remember upon waking. By analysing dreams, Freud believed we could uncover hidden memories and gain insight into our deepest desires and anxieties.
In summary, Freud saw dreams as a window into the unconscious, built from layers of memories both recent and distant. For him, exploring the connection between memories and dreams was essential for understanding the human mind and the hidden forces that shape our thoughts and behaviours.

Now, following parts one & two, let’s proceed to the next chapter of his book, Dream Interpretation. I divided this chapter due to its length!

The Material of Dreams—Memory in the Dream (Das Traummaterial – Das Gedächtnis im Traum)

That all the material comprising the content of a dream derives in some way from lived experience—that is, that it is reproduced or recalled within the dream—may be accepted, at the very least, as an indisputable fact. Yet it would be an error to assume that such a connection between the dream content and waking life must emerge effortlessly as an immediately obvious result of comparison. Rather, this connection must be sought out with close attention, and in a considerable number of cases, it manages to remain concealed for a long time. The reason for this lies in several peculiarities exhibited by the faculty of memory during dreaming—peculiarities which, though widely noted, have hitherto eluded all explanation. It will be well worth the effort to examine these characteristics in detail.

It happens, in the first place, that the content of a dream features material that, upon waking, one does not recognise as belonging to one’s own knowledge or experience. One may well recall having dreamt the specific item in question, but cannot recall when one actually experienced it. One thus remains in the dark about the source from which the dream drew its material—and is indeed tempted to believe in an independently creative activity on the part of the dream—until, often after a long interval, a new experience restores the lost memory of the earlier event, thereby revealing the dream’s true source. One is then compelled to concede that, in the dream, one possessed knowledge of—and was reminded of—something that had been inaccessible to one’s powers of recollection while awake.

Delboeuf recounts a particularly striking example of this kind, drawn from his own dream experience. In his dream, he saw the courtyard of his house covered in snow; there, he discovered two small lizards—half-frozen and buried beneath the snow—which, being an animal lover, he took in, warmed, and returned to the small niche in the masonry intended for them. Furthermore, he tucked in a few fronds of a small fern growing on the wall—a plant he knew they were very fond of. In the dream, he knew the plant’s name: Asplenium ruta-murale. The dream then continued; after a brief interlude, it returned to the lizards and—to Delboeuf’s astonishment—revealed two new little creatures feasting upon the remnants of the fern. He then turned his gaze towards the open field and saw a fifth, then a sixth lizard, making their way towards the hole in the wall; eventually, the entire street was covered by a procession of lizards, all moving in the same direction, and so on.
In his waking life, Delboeuf’s botanical knowledge encompassed only a few Latin plant names and did not include any familiarity with the genus Asplenium. To his great astonishment, he subsequently verified that a fern of this very name does, in fact, exist.
Asplenium ruta muraria was its correct designation—a name the dream had slightly distorted. One could hardly attribute this to mere coincidence; yet it remained a mystery to Delboeuf how he had acquired knowledge of the name “Asplenium” in his dream.

The dream had occurred in 1862; sixteen years later, while visiting a friend, the philosopher spotted a small album of dried flowers—the kind sold to travellers as souvenirs in certain regions of Switzerland. A memory stirred within him; he opened the herbarium, found the Asplenium from his dream inside it, and recognised his own handwriting in the accompanying Latin names.
The connection could now be established. A sister of this friend had visited Delboeuf in 1860—two years before the lizard dream—while on her honeymoon. At the time, she had with her this album intended for her brother, and Delboeuf had taken the trouble to write out the Latin name beneath each of the dried plants, dictating them from a botanist.

The favour of chance—which renders this example so eminently worth recounting—allowed Delboeuf to trace yet another element of this dream’s content to its forgotten source. One day in 1877, an old volume of an illustrated magazine fell into his hands, and he saw the entire procession of lizards depicted exactly as he had dreamed it in 1862. The volume bore the date 1861, and Delboeuf recalled that he had been a subscriber to the magazine since its inception.

To be continued! 💖🙏