Carl Jung: Forever Jung

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Oh yes! Forever Jung (Young) as the name says by itself!

A great article here about a man who stays standing still all through the generations. ❤

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by Gina Stepp

FALL 2011Society and CultureBIOGRAPHY

Carl Gustav Jung is best known as one of the fathers of modern psychotherapy alongside his erstwhile associates Sigmund Freud and Alfred Adler. He introduced such terms as introversion and extraversionthe collective unconsciousarchetypes and synchronicity into the popular vocabulary. But beyond that, most people today probably know little about the man. Understanding something of his profound influence, however, is critical for anyone who wants to better understand the current state of Western culture.

After his departure from Freud’s Vienna Psychoanalytic Society in 1910, Jung founded an approach he named Analytical Psychology, many tenets of which have not only led some to refer to him as a “founding father of the New Age” but also prevented much of the scientific community from taking him seriously.

Stung by his lack of acceptance as a scientist, Jung hated being called a mystic, a label which nevertheless clung to him throughout his life and beyond. Even his secretary, Aniela Jaffé, acknowledged that “the clear analogies that exist between mysticism and Jungian psychology cannot be overlooked,” although she insisted that “this fact in no way denies its scientific basis.”

Likewise Gary Lachman notes in his 2010 biography that despite Jung’s assertion to the contrary, “he would, by his own definition, be a mystic.” He openly admitted to having paranormal experiences and participating in séances. Lachman also attributes the psychologist’s reputation as a mystic to the fact that he claimed special, secret knowledge or gnosis “not obtained through the normal methods of cognition.” In fact, “Jung’s link to Gnosticism was so significant,” observes Lachman, “that one of the Gnostic scrolls making up the [Nag Hammadi] library was purchased by the Jung Foundation in 1952 and named the ‘Jung Codex’ in honor of the man many saw as a modern Gnostic.”

“Recollection of the outward events of my life has largely faded or disappeared. But my encounters with the ‘other’ reality, my bouts with the unconscious, are indelibly engraved upon my memory.” C.G. JUNG, MEMORIES, DREAMS, REFLECTIONS (1961)

Jung’s use of religious terms has sometimes encouraged the misconception that his idea of spirituality is somehow compatible with a biblical view; but in Jung’s writings, the subjects of God, Christ and religion in general were invariably presented as mythology.

So who was this ambitious loner? Most biographies focus on the relational history of their subjects—the families into which they are born and the later encounters that influenced their development, but a sketch of Carl Gustav Jung’s life, by necessity, is bound to have a slightly different focus. The experiences that had the most profound effect on him were, by his own account, those that occurred within himself; people and the physical trappings of everyday life were relatively uninteresting to him.

“The very things that make up a sensible biography,” said Jung in the autobiography he dictated to Jaffé, had become for him mere “phantasms” compared to one’s inner developments. These consisted of his experiences in the form of dreams, visions (some might characterize them as hallucinations), interplay between his two inner “selves” (one of which, dubbed “No. 2,” he described as an authoritative 18th-century character with a white wig, who traveled in a coach and wore buckled shoes), and other active imaginings that formed inner pathways to what he would later term “individuation,” or the process of becoming who we are by integrating the conscious with the unconscious.

Nevertheless some aspects of a sensible biography of Jung can be collected and narrated. His birth on July 26, 1875, for instance, was certainly no phantasm, at least so far as his mother, Emilie Preiswerk Jung, must have been concerned. Carl was her fourth child, but two daughters had been stillborn and another son had died soon after birth. The children’s father, Paul, was a Protestant minister, but he was unhappy both in his profession and in his marriage, which could not have been pleasant for his wife either. Described as depressed, and more interested in the occult than in showing any affection to her son, Emilie had to be hospitalized for a period after suffering a breakdown when Carl was about three, an event that made a lasting impression on him. Jung records that he was never able to trust women again.

He grew up essentially an only child, and the arrival of his sister Gertrude when he was 9 changed little. Jung says, “I played alone, and in my own way. Unfortunately I cannot remember what I played; I recall only that I did not want to be disturbed.” Lachman observes that this preference for isolation “stayed with Jung throughout his life.” Albert Oeri, a lifelong friend, remarked retrospectively that he and Jung were initially brought together to play because their fathers were “old school friends” and both men hoped their sons would also form a close relationship. This hope was at first dashed, however; Carl continued to concentrate on his solitary pursuit, refusing to notice Albert. “How is it that after some fifty-five years I remember this meeting at all?” Oeri mused. “Probably because I had never come across such an asocial monster before.”

Even after his marriage to Emma Rauschenbach and his ensuing fatherhood, Jung retained his general disinterest in others. In A Life of Jung, Ronald Hayman notes that while Jung sometimes went sailing with his son Franz (perhaps more out of a love of sailing than out of any particular interest in his son), he generally kept his daughters at arm’s length. On one rare occasion when he included them on a boat trip, he bought them a treat. “Look,” exclaimed eight-year-old Marianne to her mother, “Franz’s father bought me a little cake!” Emma took advantage of the occasion to explain to her daughter that Jung was her father too.

Jung’s wife and five children learned to accustom themselves to the wide range of his eccentricities. In addition to being required to accept one of his mistresses as a member of the household, they also lived with the paranormal phenomena which seemed to increase in the household when Jung would shut himself away in privacy to practice “active imagination”—inducing a state somewhere between waking and sleeping (hypnagogia), in which he would commune with his inner voices in order to resolve any conflicts between the conscious and the unconscious. Jung’s autobiographical descriptions of the visions he experienced in this state might come across as somewhat bizarre to many readers, particularly considering the fact that his ambition was to be seen as a man of science.

“It seems to me as if that alienation which so long separated me from the world has become transferred into my own inner world, and has revealed to me an unexpected unfamiliarity with myself.” C.G. JUNG, MEMORIES, DREAMS, REFLECTIONS (1961)

However, his apparent affinity with the spirit world had a long and even familial history. His mother was the daughter of a Hebrew scholar who maintained a chair in his study for the convenience of his dead first wife’s ghost. He was visited by other figures as well, and it was Emilie’s job to shoo them away so he could work on his sermons. Eventually Emilie herself developed “mediumistic powers,” including a second personality who was observed regularly by young Carl in the years leading up to the apparent emergence of his own “No. 2.” Jung records that between his eighth and eleventh year, “the nocturnal atmosphere” at home “had begun to thicken.” Describing the events as “incomprehensible and alarming,” Jung says: “From the door to my mother’s room came frightening influences. At night Mother was strange and mysterious. One night I saw coming from her door a faintly luminous, indefinite figure whose head detached itself from the neck and floated along in front of it, in the air, like a little moon. Immediately another head was produced and again detached itself. This process was repeated six or seven times.”

Considering such experiences together with Jung’s subsequent interests and practices throughout his life—including his clearly Gnostic late-life work, Answer to Job (1952)—one assertion Lachman records him as having made in a 1957 interview seems extraordinary. On that occasion Jung declared, “Everyone who says that I am a mystic is just an idiot.”

But then, by his own estimation, Jung was not the best one to summarize his life. “I am incapable of determining ultimate worth or worthlessness,” his autobiography records; “I have no judgment about myself and my life. There is nothing I am quite sure about. I have no definite convictions—not about anything, really. I know only that I was born and exist, and it seems to me that I have been carried along.” Despite his uncertainty on this issue, Jung nevertheless expressed his conviction of some kind of continuity of being, whether through reincarnation or something else. Many of the concepts he coined for his particular philosophy, at any rate, do seem destined to remain a part of the popular vocabulary.

SELECTED REFERENCES

  1. Ronald Hayman, A Life of Jung (1999).
  2. Aniela Jaffé, Was C.G. Jung a Mystic?and Other Essays (1989).
  3. C.G. Jung, Memories, Dreams, Reflections, recorded and edited by Aniela Jaffé, (1961, 1995).
  4. Gary Lachman, Jung the Mystic: The Esoteric Dimensions of Carl Jung’s Life and Teachings (2010).
  5. AlbertOeri, “Some Youthful Memories,” in C.G. Jung Speaking: Interviews and Encounters, edited by William McGuire and R.F.C. Hull (1977).

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How Joni Mitchell Wrote “Woodstock,” the Song that Defined the Legendary Music Festival, Even Though She Wasn’t There (1969)

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You know what?: I have enough of the Fu,,,ng stuff called; trademark!

As I remember, in the end of the 60’s I was about 17th years old and was one a few western companion of the “Hippy-time in that period, in which the Shah’s regime tried to keep the relationship to the west but in a controlled way.

in this situation, I got the moving in the west; Love. Peace, Freedom.

I had a hard way to look after it and also to fight against the mute people around. we were a few in those days but very powerful!

Anyway, I know this song by the C. S. N&Y and I get to know that it is written by another one. I really don’t care though, I am happy it is written by a woman ❤

So, in my opinion there is not the matter of who take the winner card. It is a wonderful song which described us all:

We are stardust, we are golden
We are billion year old carbon
And we got to get ourselves back to the garden

Via ; http://www.openculture.com/

http://www.openculture.com/2019/08/how-joni-mitchell-wrote-woodstock.html

Among the slew of iconic late-60s acts who played Woodstock 50 years ago, one name stands out conspicuously for her absence: Joni Mitchell. Was she not invited? Did she decline? Was she double-booked? Mitchell was, of course, invited, and eagerly wanted to be there. The story of her non-appearance involves alarming headlines in The New York Times and an appearance on The Dick Cavett Show the day after the festival that her manager, Elliot Roberts and label head David Geffen, decided she simply couldn’t miss.

Her significant other at the time, Graham Nash, reached the upstate New York festival with CSNY, “by helicopter and a stolen truck hot-wired by Neil Young,” reports the site Nightflight. But Geffen and Mitchell, seeing the headline “400,000 People Sitting in Mud,” and a description of the roads as “so clogged with cars that concertgoers were abandoning them and walking,” decided they shouldn’t take the risk. (She described the scene as a “national disaster area.”) Instead, they watched news about the mud-splattered event from Geffen’s New York City apartment (other accounts say they holed up in the Plaza Hotel).

So how is it Mitchell came to write the definitive Woodstock anthem, with its era-defining lyric “we’ve got to get ourselves back the garden”? In the way of all artists—she watched, listened, and used her imagination to conjure a scene she only knew of secondhand. CSNY’s version of “Woodstock” (live, below, at Madison Square Garden in 2009) is the one we tend to hear most and remember, but Mitchell’s—her voice soaring high above her piano—best conveys the song’s sense of youthful hippie idealism, mystical wonder, and just a touch of desperation. (At the top, she plays the song live in Big Sur in 1969.) David Yaffe, author of Reckless Daughter: A Portrait of Joni Mitchell describes the song as “purgation. It is an omen that something very, very bad will happen with the mud dries and the hippies go home.”

Mitchell did make the Cavett Show gig, alongside Stephen Stills, David Crosby, and Jefferson Airplane, all just returning from the festival. But she didn’t have much to say. Instead, the gregarious Crosby does most of the talking, describing Woodstock as “incredible, probably the strangest thing that’s ever happened in the world.” Surveying the scene from a helicopter, he says, was like seeing “an encampment of a Macedonian army on a Greek hill crossed with the biggest batch of gypsies you ever saw.” Later on the show, Mitchell played “Chelsea Morning” and other songs, after performances by Jefferson Airplane.

“The deprivation of not being able to go,” she remembered, “provided me with an intense angle” on the festival. “Woodstock, for some reason, impressed me as being a modern miracle, like a modern-day fishes-and-loaves story. For a herd of people that large to cooperate so well, it was pretty remarkable and there was tremendous optimism. So I wrote the song ‘Woodstock’ out of these feelings, and the first three times I performed it in public, I burst into tears, because it brought back the intensity of the experience and was so moving.”

She did finally get the chance to play “Woodstock” at Woodstock, in 1998 (above, on electric guitar), for an appreciative long-haired, tie-dyed audience—many of them nostalgic for a moment they missed or were too young to have experienced. The performance highlights the “sense of longing that became essential to the song’s impact,” as Leah Rosenzweig writes at Vinyl Me, Please. “Sure, it was the irony of the century”: the song that best captured Woodstock for the people who weren’t there was written by someone who wasn’t there. “But it was also a perfect recipe for Mitchell to do what she did best: draw humans together while remaining completely on the sidelines.”

Related Content:

Watch Joni Mitchell’s Classic Performances of “Both Sides Now” & “The Circle Game” (1968)

See Classic Performances of Joni Mitchell from the Very Early Years–Before She Was Even Named Joni Mitchell (1965/66)

Young Joni Mitchell Performs a Hit-Filled Concert in London (1970)

Josh Jones is a writer and musician based in Durham, NC. Follow him 

Thassos, Greece (2)

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Hi dear friends, it is again weekend and I can try to continue telling about my holidays trip to beautiful Greece.

Of course, I must tell you about my shocking moment yesterday, as I finished my work happily to begin my lovely work on my PC but couldn’t believe the screen on the monitor before my eyes show a blue shit and telling me that the Windows couldn’t get opened and it needs a repair! 😲

I just optimistically clicked on the repair button but after a few minutes got the info; Windows can’t be repaired! I tried many times with no positive result. 😒

I tell you how I missed my brother in this terrible minutes more than ever because he was a genius also in what so ever mattering on PC.

Anyway, I dared to try by myself (whom else!) and finally got the way to restore it again 🙂 😜

So! Now to the story; to put it bluntly, I am not a man of much activity 😏 I mean a little bit lazy 😎 but my wife is a kind of action; she can’t stay inactive just maybe for getting rest! Therefore, when we get together on a vacation, she plans all the “Activities” on the journey and I confess that I’m happy about that; it brings me to move. (look! She is eight years younger than me.) 😁😂

The first few days we have stayed in our place to get the common view around us then she put the first activity; On the search of the Old Wall of the Town, which was intact long time ago and now was apart and one must track down this at the edge of the city; Regina, my wife has always a relevant book about our aiming place in which we want to spend our vacation and there was a mini scribble about the old wall and where it begins and get forwards.

On this small map it looked so easy and also the beginning with the God & the Goddess of all Gods; Zeus & Hera it looked all so fine. But I tell you after that the way didn’t get so easily straight ahead, it got straight upwards!!

But I tell you, as It went higher and higher, I found it more enjoyable. It was really a wonderful adventure as we must try to find the next step to go further; it was not marked or no shields to show the right way, and after we went downwards on the other side of the height, we’ve found out that there is the comfortable, touristic shown way to climb! But I’m happy that we didn’t know it and we began from the unknown side 😉 though, we’ve got it happily and successfully. 🙂

Now there are some pics about this adventure, hopping you’d enjoy 🙂 ❤

me-Lady is waiting for me 😀
And I’m waiting now 😉

there we’d got the top!
A very beautiful Butterfly.
Now getting downwards
I am not tired 😉
There we are on the earth again ❤

Thank You ❤

Thassos, Greece (1)

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Hi lovely friend, I’m back now from my holidays trip and want to share some of the events and pics about this vacation.

Though, to put it bluntly, I’ve got such a day in which have not so much energy! I don’t know if you might experience such days; I feel arrrggg…brrrgh!! not the lust of doing something

Anyway, at least I begin with some nice pictures of the arrival and the first days. That’s why I named this Nr; 1 😀

On the ferry from mainland to the Island
The first day and the first and the only visitor on our balcony 🙂
I have taken a short video which I will share it later separately 😉
from our place
the wonderful calm Aegean (I’m sunbathing 😀 )

Have a wonderful Weekend everyone ❤ ❤