I think that is, in any case all things are upside down!

My appointment for the US Visa application has been cancelled, what else? Every meeting in the US embassy has been cancelled; the doors for the European people are closed.

I am already in a city in the northern Germany (Bremen) to visit some friends may forget the chaotic situation and have some fun.

I wish you all dear friends a good health and care of yourself. Just be safe and… Cary on 🤗🙏❤❤

I think Vincent van Gogh, as he belongs to genius artists in this world, was one of the rare ones who had mostly suffered in his short life.

I might have a half-dozen art in me but as I have been among to a family of artists, I know how they suffer as ingrained artists and trying all in their life to bring out all these energies to create in the form of books, paintings or music etc.

Some months ago I saw in a TV magazine an announcement over this movie; Loving Vincent, and I have recorded it. But I had got barely time to watch it and almost forgotten. two days ago in the evening, my wife asked me if I still have kept the movie and could we watch it. Of course, I have responded!

This is an amazing product because it isn’t fixed on van Gogh personally, even it shows him almost as a third person. The most weight of the movie is on his suffer and in a fascinating form by his own works.

And at the end as his death remains a mystery, his last words before he goes, remain forever: I think it’s good for all of us.

Now I understand
What you tried to say to me
And how you suffered for your sanity
And how you tried to set them free
They would not listen, they did not know how
Perhaps they’ll listen now

🙏💖🙏🧡

There’s never enough (for me at least) to look at this magic land because there is still a lot to discover and we are still remaining in unknown!

By my adorable friend Marie Grillot via https://egyptophile.blogspot.com/ Translated from French.

To commemorate the 131st anniversary of the discovery of the tomb of Sennedjem (TT 1) at Deir El-Medineh, a conference was organized by the Ministry of Antiquities on Sunday, February 5, 2017, at the Mummification Museum in Luxor. The communications were made by Dr. Moustafa Waziri, director general of Antiquities of Louqsor, Dr. Moustafa el-Saghir, of the Department of Antiquities, Dr. Laurent Bavay, director of the French Institute of Oriental Archeology as well as Drs. Anne-Claire Salmas and Cédric Larchet, from the same Institute, and finally, John Shearman from the American Research Center in Egypt (ARCE).
The interventions are unfortunately not available at the moment.

The village of Deir el-Medineh – then known as Set Maât (the “Place of Truth”) – was founded at the beginning of the 18th dynasty under the reign of Thutmosis Iᵉʳ, and then expanded and enlarged several times, especially under the reigns of Thutmosis III and early ramessids.

There lived, sheltered by high walls, the community of artisans who worked on the digging and decoration of the eternal dwellings of the Valley of the Kings and of the Valley of the Queens. He remained active until the reign of Ramesses XI.

“Rediscovered” in the 19th century, he saw “scroll” many “researchers” then Egyptologists: Bernardino Drovetti, Henry Salt, Karl Richard Lepsius, Auguste Mariette, Gaston Maspero … Ernesto Schiaparelli will undertake excavations there in 1905, then the German Georg Christian Julius Möller. The site concession was then definitively awarded to Ifao in 1917; for thirty years, from 1922 to 1951, Bernard Bruyère methodically explored the site and made wonderful discoveries.

The tomb of Sennedjem was discovered in January 1886 by ‘gournawis’. Indeed, “in 1886, Salam Abu Duhi, a villager from Gournah was granted a concession in an area of Deir el-Medineh close to his home. After only a few days of excavations, Salam and three of his friends made a spectacular discovery : at the bottom of a still unexplored burial well, they found a wooden door whose ancient seals were intact. Salam immediately informed Maspero, who happened to be in Luxor for his annual inspection visit. ” (Hidden treasures of Egypt, Zahi Hawass).

Gaston Maspero’s correspondence with his wife Louise (Gaston Maspero – Lettres d’Égypte) gives us the extraordinary adventure “live” … So the great Egyptologist wrote to him on February 2, 1886: “They come to get me to go to the mountain: a tomb that we have been working on for eight days has finally been opened. It is virgin! It is a tomb of the XXth dynasty: the wooden door is still in place, and we have already counted eleven mummies. is a big find. I probably won’t have time to write before the post boat leaves because I don’t think we can be back before ten o’clock. ”…

He continues his story on February 3: “The cellar is about 5 m long by 3 wide. It is vaulted, with a very low vault and painted in the most vivid colors; unfortunately, the paintings and texts are only extracts from the Book of the Dead. It was filled to the top with coffins and objects: eight adult mummies, two children’s mummies, a family of those cemetery priests I told you about in the letters I wrote from Turin in 1880 (?) The mummies are superb, of a beautiful red varnish with very neat representations, but they are only the least interesting part of the find.

You know that we carried the mummies to the tomb on sledges, carried by men or dragged by oxen. Our tomb contains two of these complete sledges: first the floor, with the rings intended to pass the sticks, when we wanted to carry, then the movable panels of the catafalque in which we locked the coffin, then the ledge cover … and it is how we will exhibit everything at the Boulaq Museum. Besides that, the complete furniture: eight large canopic jars, forty small boxes with funeral statuettes, a hundred charming limestone figurines, twenty painted earthenware vases, a new different bed for the shape of the first two … In addition, a beautiful armchair with a canvas background imitating the tapestry; two stools with canvas bottom imitating red leather, a folding chair, bouquets of flowers, a cubit, an ostracon containing a very curious, although very short, historical novel. Insinger and Toda photographed the magnesium chamber and will photograph some of the objects. “

Jan Herman Insinger is a banker from the Netherlands who came to Luxor in order to benefit from a climate which can soothe his tuberculosis. Before having a castle built a little flashy on the edge of the Nile, he lives on board his dahabieh “Meermin” (the siren). He became close to Maspero and, during his inspections, offered him his services as a photographer. As for Eduard Toda I Güell, Consul General of Spain in Egypt from 1884 to 1886, real friendship and a relationship of trust linked him to Maspero, which led him to entrust him with important responsibilities within the archaeological mission. This is how he is at his side during the event which we relate and which is described by Jules Daressy as “one of the most interesting events in the history of excavations in Egypt”. Better still, the diplomat-archaeologist is entrusted, by the director of Antiquities called to another excavation site, with the “immediate responsibility” for clearing the tomb.

It should be noted that, in the letter previously quoted, Gaston Maspero specifies: “It goes without saying that we bought from the fellahs the half that was due to them: it cost us 46 guineas. Once we have chosen all that is good for the museum, the sale of mummies and superfluous objects will bring us at least 60 guineas, maybe eighty who will go to the excavations of Luxor and the Sphinx. It will have been a good deal in all ways, good from a scientific point of view, since it gave us monuments of which we had no specimen, good from a financial point of view, since not only will the objects end up costing us nothing, but that we will have gained enough money for new excavations. “

In the “Bulletin of the French Society of Egyptology” – 1988, Josep Padro reports: “In three days and with seven workers, (Toda) completely excavated the tomb and carried out the transfer of its contents on-board the ‘Boulaq’, the vessel of the Antiquities service. Once the transfer was completed, (he) drew up an inventory of the funeral furniture on the boat, with the objects collected and the mummies before his eyes. Toda also took 15 photos himself in the tomb, with the technical assistance of Insinger, which are engraved after the plates which illustrate his memoir; and he copied and translated the hieroglyphic texts, with the help of Bouriant. “

According to Bernard Bruyère: “Tomb No. 1 is not only one of the most beautiful and best-preserved in Thebes; but it is also a perfect, complete and typical example of a large family tomb comprising the four components regular, the courtyard and chapels accessible to the living, the well and the vault reserved for the dead. “

The eternity home of Sennedjem is one of those open to the public in Deir el-Medineh: by the scenes and colours that cover its walls, his visit leaves an unforgettable memory!

Sources :

Gaston Maspero, “Lettres d’Égypte, Correspondance avec Louise Maspero”, Elisabeth David, Seuil, 2003

“Deir el-Medina” (Ifao)

Trésors cachés de l’Égypte, Zahi Hawass
“Eduard Toda, pionnier de l’égyptologie espagnole” (égyptophile)

“Eduard Toda i Güell” (Amigos de la Egiptologia)
“Précisions sur deux momies de l’ancienne collection Toda“, par Josep Padro

“Sennedjem TT1” (osirisnet.net)

Padro Josep, “Bulletin de la Société Française d’Égyptologie” – 1988, n°113, pp. 32-45

Sources:

Gaston Maspero, “Letters from Egypt, Correspondence with Louise Maspero”, Elisabeth David, Seuil, 2003

“Deir el-Medina” (Ifao)

Hidden treasures of Egypt, Zahi Hawass

“Eduard Toda, pioneer of Spanish Egyptology” (Egyptophile)

“Eduard Toda i Güell” (Amigos de la Egiptologia)

“Details on two mummies from the old Toda collection”, by Josep Padro

“Sennedjem TT1” (osirisnet.net)

Padro Josep, “Bulletin of the French Society of Egyptology” – 1988, n ° 113, pp. 32-45