The Individual

Standard

It is only an add to the later post; https://lampmagician.wordpress.com/2019/11/09/lets-carry-the-both-sides/

I had an discussion with a friend Andrew Beal on FB about the hope for the mankind (at all) because, I am just an unforgivable pessimist! That was just a discussion about how we can trust or even hope into the future, a better one as we can ever imagine. My last words were about my past life and experience in my own country in which I could only see the mass of people and not singly (individually)

Anyway, he sent me a memory which I thought it is very interesting and even might be helpful for one or others like me 😉 😀

With also thanks to Lewis Lafontaine

https://carljungdepthpsychologysite.blog/

Max Zeller: Memory of C.G. Jung

Max Zeller: Memory of C.G. Jung. [”I asked how long it will take. He said, “About six hundred years.”]
When I was in Zurich in 1949, the first time after the war, I was terribly occupied with the question, “What am I doing as an analyst?” With the overwhelming problems in the world, to see twenty or twenty-five patients, that’s nothing. What are we doing, all of us? I stayed in Zurich about three months and saw Jung quite a number of times. Then I had to return to Los Angeles, and the last hour with him came. The evening before, there was a great feast, a celebration of students and faculty from the Institute at an elegant Swiss hotel. Every single analyst was made fun of in the most incredible way. We laughed and howled. Meier was there, and he got quite a load to carry. Then they took on Mrs. Jung and she got her share. When they were all through Jung said, “But where am I? What is the matter with you? You don’t dare to tease me that way? That’s awful!” That was the night before I had my last appointment, and it went on late into the night.
The next day I came to Jung with the material I had prepared, and Jung said to me, “We have time, I’ve all morning.” He took me into the garden, and there was a bench, and he sat beside me and we talked, and talked, and talked, and I told him about this and that. When the time was up I took the train, and as I sat in the train I suddenly thought, “My God!” The night before I had had a dream, and I should have started with it but never even told it to him. I went right then to the post office and wrote: Dear Dr. Jung, I forgot totally to tell you the dream of last night and I think it is very important. And no matter what, I want you to know it at least, because I am occupied with it anyway. Well, the next morning, my last day there, I got a call from Jung’s secretary right after the mail was delivered at eight o’clock. She wanted to know if I wanted to see him. Well! Of course I wanted to see him, so I went out for the very last time to Küsnacht.
And this was my dream: A temple of vast dimensions was in the process of being built. As far as I could see-ahead, behind, right and left-there were incredible numbers of people building on gigantic pillars. I, too, was building on a pillar. The whole building process was in its very first beginnings, but the foundation was already there the rest of the building was starting to go up and I and many others were working on it.
Jung said, “Ja, you know, that is the temple we all build on. We don’t know the people because, believe me, they build in India and China and in Russia and all over the world. That is the new religion. You know how long it will take until it is built?” I said, “How should I know? Do you know?” He said “I know.” I asked how long it will take. He said, “About six hundred years.” “Where do you know this from?” I asked. He said, “From dreams. From other people’s dreams and from my own. This new religion will come together as far as we can see.”
And then I could say goodbye. There was the answer to my question what we, as analysts, are doing. There is not an analyst who doesn’t experience it. We work with a person, and there is a critical family situation, or difficulties here and there, and as this individual works, what he or she does spreads. It has a much greater effect than we think. It is not as it looks from the outside, that we sit in a narrow cubbyhole; because the material we work with transforms. It transforms us and, we, being touched, touch other people without even talking about it.
It is like the story of the rainmaker. Jung loved to tell that story as often as anyone wanted to hear it. The group around Jung would be having dinner together, and Jung would say, “I have to tell you a story, the story of the rainmaker. Did you ever hear it?” And everyone would shout, “No! We never heard it!” And then he would tell the story. It is not a Just So story. It was reported to Richard Wilhelm who experienced the drought in China and the coming of the rainmaker. He saw it with his own eyes. It is this: there was a drought in a village in China. They sent for a rainmaker who was known to live in the farthest corner of the country, far away. Of course that would be so, because we never trust a prophet who lives in our region; he has to come from far away. So he arrived, and he found the village in a miserable state. The cattle were dying, the vegetation was dying, the people were affected. The people crowded around him and were very curious what he would do. He said, “Well, just give me a little hut and leave me alone for a few days.” So he went into this little hut and people were wondering and wondering, the first day, the second day. On the third day it started pouring rain and he came out. They asked him, “What did you do?” “Oh, “he said, “that is very simple. I didn’t do anything.” “But look,” they said, “now it rains. What happened?” And he explained, “I come from an area that is in Tao, in balance. We have rain, we have sunshine. Nothing is out of order. I come into your area and find that it is chaotic. The rhythm of life is disturbed, so when I come into it I, too, am disturbed. The whole thing affects me and I am immediately out of order. So what can I do? I want a little hut to be by myself, to meditate, to set myself straight. And then, when I am able to get myself in order, everything around is set right. We are now in Tao, and since the rain was missing, now it rains; now we are all in Tao.”
I have seen this in my own experience. Once my wife and I went to a Hopi ceremony on the reservation, a very moving religious ritual lasting for several days. The last day there was a rain dance, and it was radiant blue sky, not a cloud to be seen. When it was over the sky became dark in no time. We got into the car and began to drive away, and it poured as I have never seen. I have been in rains and rainstorms and never experienced anything like it. You could not drive. It was just as if it came down literally in sheets. That is what happens in our work; that is the task of the analyst. We see it every day: suddenly the rain comes. And the effect spreads. Each person works on his own pillar, until one day the temple will be built. ~Max Zeller, J.E.T., Pages 108-110

Let’s carry the both sides!

Standard

I think that we should understand and accept that we have the both sides; Inner & Outer, Dark & light, Good & Bad. what we need is the Awareness.

via; https://www.facebook.com/CarlJungIndividuation/?tn-str=k%2AF&hc_location=group_dialog

By; Craig Nelson with thanks 🙏💖

J.S. Bach’s “Air on the G String” Played on the Actual Instruments from His Time

Standard

It is nice once to here the genius J.S.Bach in its origins 🙂

http://www.openculture.com/2019/11/watch-j-s-bachs-air-on-the-g-string-played-on-the-actual-instruments-from-his-time.html

The beautiful lady of Licht

Standard
Head of the female statue – painted wood with gilding
Middle Kingdom – XIIth Dynasty
Provenance: Zone of the pyramid of Amenemhat to Licht – Excavations of the Metropolitan Museum of Art in New York – 1907
Egyptian Museum Cairo – JE 39380

The Head of a mysterious beautiful Lady. by Marie Grillot 🙏💖 with Marc Chartier as always much appreciated 🙂

PS; Licht in German means light 😉

Translated from French via https://egyptophile.blogspot.com/

The face is noble, perfectly symmetrical, veins of light wood give it a sense of life. The general expression is soft, calm, soothed. Large almond eyes, of which only the orbit remains, are absent. And despite everything, they question us … What presence did she give to the face? What did they show? Did the glass paste and the rock crystal subtly and luminously enliven their pupils? These questions remain forever unanswered. The eyebrows are treated in relief, while the line of makeup is treated in hollow. The nose is well proportioned, the lips are fine, the slight injury they suffered reminds us of the pangs of time.

Head of the female statue – painted wood with gilding
Middle Kingdom – XIIth Dynasty
Provenance: Zone of the pyramid of Amenemhat to Licht – Excavations of the Metropolitan Museum of Art in New York – 1907
Egyptian Museum Cairo – JE 39380

What obviously impresses in this head of just over 10 cm, is the wide wig that framed it generously and should arrive at the shoulders, now missing. “The enveloping mass of the reported hair is worked in a darker wood and blackened with paint, it is attached to the head in lighter wood, using tenons.” The hair is black and fragments of gold, like so many small square touches bringing light and femininity, dot them. “The fact that the wig is particularly thin at the top, relative to the width of the lateral parts, suggests the presence of a crown or diadem.”

Head of female statue – painted wood with gilding
Middle Kingdom – XIIth Dynasty
Provenance: Zone of the pyramid of Amenemhat to Licht – Excavations of the Metropolitan Museum of Art in New York – 1907
Egyptian Museum Cairo – JE 39380

Who was this beautiful lady? A queen, a princess, a prominent person at the court of the sovereign? The quality of the work, the mastery of the artist, leave indeed to think that it can come from the workshops of Pharaoh. From the statue that represented it, in the foot, there remains only that face that does not identify it. Only her arms were found two years later in Situ.

The female statue head painted wood with gilding is often reproduced
Middle Kingdom – XIIth Dynasty
Provenance: Zone of the pyramid of Amenemhat to Licht – Excavations of the Metropolitan Museum of Art in New York – 1907

This head – which is also often used as a model to illustrate the beauty of the Egyptian women of antiquity – was discovered in 1907 in Lower Egypt, precisely in Licht, between Daschour and Meidoum. The city of Licht was created by Pharaoh Amenemhat I. “Not only to detach from Thebes and the followers of the last Montuhotep but also to keep an eye on the north and the Asian border, the city became the main royal residence during the twelfth and thirteenth dynasties … today give it another reality and another archaeological dimension than those that associate it with the two funerary monuments today reduced to two mounds: the pyramids of Amenemhat I and Sesostris I. ” (Egypt restored, T3, Sydney Aufrère, Jean-Claude Golvin).

The Metropolitan Museum of Art excavation site in New York on Licht site in 1907 with the discovery of the female statue head in painted wood with gilding (JE 39380) of the XIIth Dynasty

As early as 1882, Gaston Maspero undertook excavations on the site, which had then enabled the identification of the pyramids. For practical reasons (there were sometimes up to 11 m of water, he said), however, he could not go to the funeral chamber. The study of the site was then resumed in 1894-1895 by the French Institute of Oriental Archaeology.

Then, in 1906, while Maspero was at the head of the Antiquities Department, the Metropolitan Museum of Art applied for and obtained the concession, and then settled for several seasons of excavations. Indeed, the Egyptian Department of MMA was created October 15, 1906, and its directors, and its new director, Alfred Morton Lythgoe, see there the interest of enriching their knowledge, their experience and their collections.

Thus, under the joint direction of the director, Herbert Eustis Winlock (Harvard) and Arthur C. Mace (Oxford), their first campaign, financed by private funds.150 workers are recruited: some, already ‘trained’ in excavations, come from Upper Egypt, others from neighbouring villages; their number will continue to grow over the years.

Head of the female statue – painted wood with gilding
Middle Kingdom – XIIth Dynasty
Provenance: Zone of the pyramid of Amenemhat to Licht
Excavations of the Metropolitan Museum of Art in New York – 1907
Egyptian Museum Cairo – JE 39380
Reproduced for the first time in “The Metropolitan Museum of Art Bulletin” (No. 10 – Oct.1907)

The exact circumstances of the discovery of the head are not explained by Albert Lythgoe. In the October 1907 bulletin of the MMA, while it appears in the photo with the caption “Figure 2. Head of the wooden statuette from Lisht, 12th dynasty”, no details are given on the place where it was found. The author relates that the excavations concerned two sectors: that of the cemetery located to the west of the pyramid of Amenemhat, which delivered tombs of important figures of the XIIth dynasty, as well as an area located on a promontory. In all, more than 100 tombs were discovered for most of the twelfth dynasty. As the head is illustrative, opposite this paragraph, one can legitimately think that its discovery is related to those areas where dignitaries, relatives and members of the ruling family had the honour to rest, not far from Pharaoh.

This head is on display at the Egyptian Museum of Tahrir Square in Cairo under number JE 39380.

Marie Grillot

sources

The Egyptian Art at the time of the pyramids, National Museums 1999

Treasures of Egypt – The wonders of the Egyptian Museum in Cairo, under the direction of Francesco Tiradritti

The treasures of ancient Egypt in the Cairo Museum, National Geographic

Official Catalog – Egyptian Museum in Cairo, Mohamed Saleh, Sourouzian, Verlag Philipp von Zabern 1987

The restored Egypt, T3, Sydney Aufrère Jean-Claude Golvin

” The Metropolitan Museum of Art Bulletin
 “, Vol. 1, No. 12, Nov. 1906,

” The Egyptian Expedition ” AM Lythgoe, “The Metropolitan Museum of Art Bulletin”, Vol. 2, No. 4 (Apr. 1907),

” The Egyptian Expedition ” Albert M. Lythgoe, “The Metropolitan Museum of Art Bulletin”, Vol. 2, No. 7 (Jul. 1907)

” The Egyptian Expedition ” Albert M. Lythgoe, “The Metropolitan Museum of Art Bulletin”, Vol. 2, No. 10 (Oct.1907) 

… embracing the messy soul …

Standard

“for every act of dawning consciousness is a creative act” C.G.Jung 💖🙏

courseofmirrors's avatarCourse of Mirrors

I hesitated posting this, since a deep sadness resurfaced and took hold of me while pondering Soul and Spirit. What’s the point, why exist, to what end? I asked this as a child, having been shown horrendous images in the wake of the Second World War, meant as shock treatment in my German primary school during the 1950’s. A poem I wrote about this experience I still don’t feel confident to share. I turned iconoclast, explored philosophies, religions, myths, literature, searched for exceptional minds, and resisted prescribed beliefs in favour of direct experience.

In my twenties I turned to images and their symbolic power, until a numinous event in Israel reunited me with language, literature, poetry, and science. I studied too many subjects to bore you with, at my own expense, none for economic advantage. I did meet exceptional people, including mystics, yet my question, like a spell, kept birthing…

View original post 1,466 more words

Reading The Red Book (13)

Standard

Carl G. Jung
Another excellent tell from the one fascinating man whom I must discover him again and again. Thank you 🙏💖🙏💖

“He is more myself than I am”

Standard

He is more myself than I’m; That’s Love 🤗

etinkerbell's avatare-Tinkerbell

He is more myself than I am“, what a romantic expression, such a pity Heathcliff didn’t hear a single word of the final part of the conversation his Catherine was having with Neally Dean:

«So he shall never know how I love him: and that, not because he’s handsome, but because he’s more myself than I am. Whatever our souls are made out of, his and mine are the same». (Wuthering Heights)

No, in fact, he will never know it, as having being deeply wounded by Catherine’s previous statement: “I will degrade myself by marrying Heathcliff”, that hot-headed man rushes away without thinking twice and disappears in the night. Had he been a little less hasty, had he let his reason control his overflowing emotions, he would have given his love a chance and spared us a lot of drama; but he did not. However, would…

View original post 693 more words

THE SAD DEMISE OF JESSICA DOWNLOW – THE TREE HUGGING SUICIDAL POET

Standard

Unforgettable Reek 😊🤗🙏🙏💖

mikesteeden's avatar- MIKE STEEDEN -

jessica downlow4 (2)

Always I have hugged trees. Even as a small child I hugged them…all varieties mind…for there is nothing like communing with nature in my book. In point of fact nothing can match the feeling of bare skin on bark…the silver birch especially.

My parents thought me most odd. Pater would often say to me, ‘Jessica, you really do get on my tits with all that bloody tree hugging you know. Why not be like the other kids and go play in the road darling.’ We lived only a short distance from the busy M25 motorway at the time.

Mater called me an insipid, wearisome dullard with alarming regularity until the day she advised, “Jessica my dear, it’s no more tofu for you my girl until you stop this tree hugging malarkey. Even the neighbours are talking about you, and this is posh Surrey after all. We have our standards here.”

View original post 468 more words

Where once the reeded pond

Standard

…With water praying and the speckled drops;
A reeded pond bent over like a beggar,
Putting moisture into its dry clay cup; … 🙏👍

The “I Say It’s my Birthday” Blog Party!

Standard

Happy birthday dear Rob, stay forever young 🤗👍