The Art of Creating Special Effects in Silent Movies: Ingenuity Before the Age of CGI

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Yes! I might get old and my style too but if we look in the history of humans, the way of making arts (I mention art because I think it’s the power of God given to us to be a creator, a part of God.) has been lost and so our power of imaginations. What a pity that we laze our abilities through using the technics and making ourselves as an idle!

via Open Culture http://www.openculture.com/ http://www.openculture.com/2019/01/the-art-of-creating-special-effects-in-silent-movies-ingenuity-before-the-age-of-cgi.html

If anyone tries to claim that modern day movies have too many special effects remind them of this. Films have always used special effects to trick the audience, and we’re just using new variations of tools from a century ago. In fact, right from the beginning, creators like Georges Méliès were pushing the boundaries of celluloid and 24 frames per second like the showmen and magicians they were.

By the time we get to the silent comedians as seen in our above video, technology had advanced along with the pure physical comedy of the stars. Yes, they were amazing and nimble athletes, but they weren’t stupid. Camera trickery helped them look superhuman.


The first example shows Harold Lloyd’s iconic stunt from 1923’s Safety Last!where he hung over the streets of Los Angeles from a clock face. Only he wasn’t really. Using forced perspective, a constructed building edifice, and a safe mattress a few feet below shows how Lloyd faced no danger at all. Editing, too, creates so much of the effect, as we have seen how high the clock is compared to the ground in previous shots. The angle on the streets below and in the distance really sell the scene compared to just shooting the sky.

In fact, this forced perspective is still used in modern films: Peter Jackson used it a lot in The Lord of the Rings to give the impression that Gandalf was twice as tall as Hobbit Frodo simply by constructing the sets smaller.

And when backgrounds are basic like sand dunes, even the low budget filmmaker can achieve some amazing effects with no money, just a bunch of cool miniatures:

Then again, Jackie Chan one-upped Lloyd for real in his 1983 film Project A, when he dangles from a three-story clock hand only to crash through two canopies onto the ground below. It’s a stunt so nice, they show you it twice!

The other favourite trick of the silent films was a matte painting. As long as the camera doesn’t move, a piece of glass with a photo-realistic painting on it can seamlessly fit into the action.

In Charlie Chaplin’s 1936 Modern Times, that allows the comedian to skate very close to a three-floor drop without even being in danger. (Technically, the camera *does* move in this shot, but it’s a short pan which wouldn’t affect the illusion.)

This old-school method has gone away, though up through the ‘80s great matte painting artists were working on films like the Star Wars trilogy and Raiders of the Lost Ark. Now a digital matte artist works in three dimensions, not two, with endless finesse and tweaking at their disposal, like in Game of Thrones:

The matte is the basis, really, of all modern digital effects. Wherever there is a green screen, you’re seeing the evolution of the matte. You probably have an app on your phone that does something similar, and can magically transport you to where you really want to be…just like film.

Related Content:

A Supercut of Buster Keaton’s Most Amazing Stunts–and Keaton’s 5 Rules of Comic Storytelling

Some of Buster Keaton’s Great, Death-Defying Stunts Captured in Animated Gifs

Captivating GIFs Reveal the Magical Special Effects in Classic Silent Films

Ted Mills is a freelance writer on the arts who currently hosts the artist interview-based FunkZone Podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, read his other arts writing at tedmills.com and/or watch his films here.

The Good & The Evil

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by Craig Nelson

via
C.G. Jung & Wholeness

The words say all…. nothing to add 🙂 ❤

“..not fidelity to the law but love and kindness are the antithesis of evil. The wings of the dove temper the malignity of the air..”
C.G. Jung, Mysterium Coniunctionis

Carl Jung: …individuation is an opus contra naturam…

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from CARL JUNG DEPTH PSYCHOLOGY
Life, Work and Legacy of Carl Jung
Author: lewislafontaine

“..The philosopher stared at the paradoxes of the ..inscription, just as he stared at the retort until the archetypal structures of the collective unconscious began to illuminate the darkness.”
C.G. Jung, Mysterium

C.G. Jung & Wholeness By Craig Nelson

The self is the hero, threatened already at birth by envious collective forces; the jewel that is coveted by all and arouses jealous strife; and finally the god who is dismembered by the old, evil power of darkness.

I take another opportunity to share this magnificent analysis by Dr Jung with the help of two great Jungian experts and friend of mine
Craig Nelson & lewislafontaine. I have been always in believing that every one of us is an individual, we are living together and keep ourselves in the societies but, we are doing it because of the fear that we have; we’re afraid of being alone! We know somehow that we’re “Contra Naturam” and therefore, always looking for shelter; a shelter in a crowd. on the other side, it’s also important for us how to confront each other because we’re also afraid of one another!

Anyway, read and hopefully enjoy it. have a great rest of the week 🙂 ❤

Without entering into other details of the text, I would like to draw attention to one more point: the building of the rampart against Gog and Magog (also known as Yajuj and Majuj).

This motif is a repetition of Khidr’s last deed in the previous episode, the rebuilding of the town wall.

But this time the wall is to be a strong defence against Gog and Magog.

The passage may possibly refer to Revelation 20:ηί. (AV):

And when the thousand years are expired, Satan shall be loosed out of his prison and shall go out to deceive the nations which are in the four quarters of the earth, Gog and Magog, to gather them together for battle: the number of whom is as the sand of the sea.

And they went up on the breadth of the earth and compassed the camp of the saints about and the beloved city.

Here Dhulqarnein takes over the role of Khidr and builds an unscalable rampart for the people living “between Two Mountains.”

This is obviously the same place in the middle which is to be protected against Gog and Magog, the featureless, hostile masses.

Psychologically, it is again a question of the self, enthroned in the place of the middle, and referred to in Revelation as the beloved city (Jerusalem, the centre of the earth).

The self is the hero, threatened already at birth by envious collective forces; the jewel that is coveted by all and arouses jealous strife; and finally the god who is dismembered by the old, evil power of darkness.

In its psychological meaning, individuation is an opus contra naturam, which creates a horror vacui in the collective layer and is only too likely to collapse under the impact of the collective forces of the psyche.

The mystery legend of the two helpful friends promises protection to him who has found the jewel on his quest.

But there will come a time when, in accordance with Allah’s providence, even the iron rampart will fall to pieces, namely, on the day when the world comes to an end, or psychologically speaking, when individual consciousness is extinguished in the waters of darkness, that is to say when a subjective end of the world is experienced.

By this is meant the moment when consciousness sinks back into the darkness from which it originally emerged, like Khidr’s island: the moment of death. ~Carl Jung, CW 9i, Pages 146-147

The tension of the Future…..~Carl Jung

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via  C.G. Jung & Wholeness By
Craig Nelson & also https://carljungdepthpsychologysite.blog/
CARL JUNG; RED BOOKFUTURESALVATIONWAY

Author: lewislafontaine Life, Work and Legacy of Carl Jung

“..the tension between Christ and the devil is in consciousness..”
C.G. Jung, Stone by Stone…”

The words say everything, though, Dr Jung here used the Christ (but not Jesus) just to show what he meant, isn’t religious but the recognition of the purity, as in the Christion’s religion has been known. I myself, have found Jesus as a phenomenal personality, even as I lived in Iran, as a Muslim. (I might notice here that the Muslims recognize Jesus and his mother Maria, as the holy persons in their religion.) but it wasn’t the reason why I did so; it was just because of his message: Love. Anyhow, what it’s saying here is, in my opinion, means that we’re always in the fight between two sides of ours: the light and the dark side. and further, I say the winning point is our unconsciousness, and to know it. we must get deeper and deeper in our soul to know ourselves better.

There is only one way and that is your way; there is only one salvation and that is your salvation.

Here I take the opportunity to use these two posts by two greats C.G.Jung experts Craig Nelson & lewislafontaine who also, fortunately, are my friends. to explain my feelings on this issue.

The tension of the future is unbearable in us. It must break through narrow cracks, it must force new ways.

You want to cast off the burden, you want to escape the inescapable. Running away is deception and detour.

Shut your eyes so that you do not see the manifold, the outwardly plural, the tearing away and the tempting.

There is only one way and that is your way; there is only one salvation and that is your salvation.

Why are you looking around for help?

Do you believe that help will come from outside?

What is to come is created in you and from you.

Hence look into yourself Do not compare, do not measure. No other way is really yours.

All other ways deceive and tempt you.

You must fulfill the way that is in you ~Carl Jung, Red Book, Page 308.

SOCRATES ‘Talk about’ Andriania ‘

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By SearchingTheMeaningOfLife

I love his way of discussion! I was a naive boy as my wise brother pushed four thick valiums set of books of Plato towards me and said: read! of course, I followed; they were the collection of Plato’s notes from the Socrates discussions complete. I can only remember when I began with reading them, once I was wandering on the Tehran’s street and just taking rest on a park bench, a girl came to me and asked: are you OK? I’d confusingly answered; of course, what’s the matter? you’re just looking so depressed I thought she said. I was so, not depressed but under a lot of heavy thought! 

here is a part of his wonderful way of teaching us; at first think twice then say something! With a great thank to; https://searchingthemeaningoflife.wordpress.com/

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And what would you say about the prowess shown in the sea, sickness, poverty or political life? In addition, some people are brave when faced with pain and weak when taken by pleasure. That’s why I ask you again: what would we call the generosity of Lash?


Two Athenian generals Lachis and Niki discuss with Socrates the prowess that the combatants should demonstrate in the battlefield. Both generals lost their lives to Lachis in the Battle of Mantineia in 418 BC and Nicky in 412 in the Sicilian campaign. Socrates brings the conversation to a higher level than bravery and asks the General who are experts to express their opinion. Following is the dialogue: Lahis    – A soldier recently showed us something new: He was one of my men and devised a spear-shaped spear. He was very proud of the potential of this weapon during the battle.               In order to make no mistake, in a naval battle, his spear was caught in the rigging of another ship as we passed by beside him. The soldier pulled it, but the spear was not recited, so he was forced to run along the deck, vice versa, holding the grip firmly to keep him out of his hands. Eventually, he had to leave the spear and leave running while the crews of both ships laughed until tears. We could not keep it, you had to see how the spear was hanging from the rigging! 

 Nikia – I    agree. I believe that this equipment seems remarkable.

Lahis – What is your view, Socrates? So far we are a pro, one against. The decisive vote falls on you!Socrates      – Lahis, instead of voting, I would say we should focus our attention on a more substantive issue that you have just rightly put before. Do not you think that for an issue as important as the practice of the arms of your friends’ sons, should we look for a specialist 
and follow his advice?  

Lahis – Of course, Socrates. This is right.

 Socrates        – What, then, should our expert be expert?Nikias     – Now we were not talking about arms training? Whether our young people should be practised or not? 

 Socrates       – Yes, Nikia. But should not we first answer this basic question? For example, when a person asks what medicine he has to put in his eyes, what does he really care about his medicine or eyes?

 Nikis        – Of course his eyes!

 Socrates          – And when he thinks of putting a bridle on a horse, the horse cares about it and not the bridle, is it?

 Nice     – Right. Socrates  – Do not you see, then, Nikia, how to practice the weapons is like drugs and skirts – just a means of achieving a goal? What we really think about when it comes to different kinds of education is young people. It is the self, the soul of these young people undergoing education.

  The doctor knows if it’s good for the eyes. Hippodomus what is good for horses. But who knows what’s good for the soul, that’s the basic question! Nikias          – (laughing): I had to wait for it, Socrates, we have done similar discussions, and it is a painful process. However, in the end, I always leave with clearer ideas than at first. Are you ready to face him, Lah? I warn you of the experience this man has for us! 

Lahis     – Generally, I am not in favour of the discussions, unless I’m sure my interlocutor is a man of both acts and words. I was together with Socrates in the retreat after our defeat in the Battle of Delhi, if all were recognized as Socrates, we would have won. I would accept the questions of such a man at any time.

Socrates          – Thank you, Lahis. Allow me to submit to you the part of this more general question that concerns you most because of your profession of driving soldiers into battle. What is Larus?

 Lahis         – This is easy, Socrates. It is a man who does not abandon his position and does not put his feet in danger. Socrates             – Good definition of bravery, in terms of a pedestrian. Does it apply, however, to the cavalry that is constantly on the move? If I’m not mistaken, a favourite manoeuvre of the Scythians is to escape by galloping, turning both the trunk on the horse and hitting the enemy as they retreat.  

 Lahis        – Correct observation Socrates. These horsemen are among the most prolific soldiers.

 Socrates      – And what would you say about the prowess shown in the sea, sickness, poverty or political life? In addition, some people are brave when faced with pain and weak when taken by pleasure. That’s why I ask you again: what would we call the generosity of Lash?

Lahis – You put me in Socrates thoughts. Now that I think about it better, I would say that bravery is a kind of soul’s heartbeat.

Socrates     – My dear! Now you have given us a comprehensive definition, but perhaps too comprehensive, because if the real bravery is always a virtue, then the simple absurd misery can also be described as a virtue?

Lahis – I should have been wise. Socrates     – Yes, but what does it mean wise? What is your view of the man who is able to fight and is willing to fight bravely because he has reasonably calculated that he will have the support of others, that he is fighting against the fewer and weaker than those who fight at his side? Would you say that this man who performs such a wit in such wisdom is a manly man? 
More prolific and by the one who has the will to stay and fight on the weak side?Lahis – I have no doubt that the man who is not sitting to figure out the risk is brighter than the other. Socrates     – So, the man who dives in a well without knowing how to dive is brighter, even more, foolish than the trained diver? Lahis – I have to be consistent with what I said before Socrates, but there is obviously a gap in our reasoning.
Source: 
Nasos Argiropoulos writes at : http: //nasosargiropoulos.blogspot.gr(We read it in Ronald Gross’s bookThe Socrates Method)

The Divine and the Human

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There’re many discussions about simile between Jesus and Buddha, and it’s true. there’re many points to compare. but sometimes I think that there’s also an unfair act to compare them on the history, because, in the case of Jesus, there are so may veiling by the religious actors in the history. to be honest, I think that there’re many lies about Jesus and we don’t really know how he really was. 🙂 

via 
C.G. Jung & Wholeness

by Craig Nelson with thanks 

“Jung found the Buddha to be a more ’complete human being’ than the Christ because the Buddha lived his life and took as his task the realization of the Self through understanding, whereas with the Christ this realization was more like a fate which happened to him.”
Marie Louise von Franz, Jung’s Myth in Our Time 

Gratefulness

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I just wanna thank you all my friends and followers here for accepting me, a nobody! in this wonderful circle with so many known and great writers and artists. I was and has been always a humble person in my life, as the life learned me so, and therefore, it is a huge luck and happiness to be accepted in such an amazing intellectual community. 

heartily grateful and greeting all ❤ ❤  

32. Real genius is nothing else but the supernatural virtue of humility in the domain of thought. - Simone Weil

Carl Jung: The shadow includes a demonic dynamism

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William Blake: The Great Red Dragon and the Woman Clothed in Sun

<<There’s no doubt that we all have both sides (the shadow and bright side) in us, the fact is we must try not to ignore the unwilling one and give our best to know it. the great heroes are they who have no fear to acknowledge them both >>

Jung: On the demonic dynamism of the Shadow in mass movements…

via http://jungcurrents.com/

Collected Works Volume 7 – Two Essays on Analytical Psychology Quote Shadow

It is a frightening thought that man also has a shadow side to him, consisting not just of little weaknesses and foibles, but of a positively demonic dynamism.

The individual seldom knows anything of this; to him, as an individual, it is incredible that he should ever in any circumstances go beyond himself.

But let these harmless creatures form a mass, and there emerges a raging monster, and each individual is only one tiny cell in the monster’s body so that for better or worse he must accompany it on its bloody rampages and even assist it to the utmost.

Having a dark suspicion of these grim possibilities, the man turns a blind eye to the shadow-side of human nature.

Blindly he strives against the salutary dogma of original sin, which is yet so prodigiously true.

Yes, he even hesitates to admit the conflict of which he is so painfully aware.

 

Collected Works  

Two Essays on Analytical Psychology

 

 Page 35

‘My light,” says Jung’s anima, “is not of this world.” C.G. Jung, Red Book

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How can Words sounds so beautiful! Marie Louise von Franz. an incredible woman ❤

By Craig Nelson: C.G. Jung & Wholeness

 

the anima, speaking in vision: I am the flower of the field, the lily of the valley, I am the mother of fair love, knowledge & sacred hope. I am very beautiful without taint. I am the law in the priest, the word in the prophet, the counsel in the sage. I can kill and bring to life, and there is no one who can deliver anything out of my hand.

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Superstitions You Might Find in Atonement TN

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really amazing 🙂

Teagan Riordain Geneviene's avatarTeagan's Books

Saturday, November 10, 2018

The amazing Sue Vincent recently hosted me at her Daily Echo blog.  We were talking about superstitions and I shared some from my youth.  I had a great time at Sue’s and I hope you’ll click over to visit her.

I expect the townsfolk in fictional Atonement, TN would tend to be superstitious.  How could they be otherwise with all the strange goings on and supernatural beings?

The first writing advice I heard was something I took to heart ― Write what you know.  When I wrote Atonement, Tennessee I followed that guidance and created a fictional southern town where the urban fantasy takes place.  Of course, the second novel, Atonement in Bloom, is also set there.

I made it a very small, rural town so some of the manners and personalities I grew up with would not seem out of place.  The townsfolk…

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