The Shadow of the Sacred

Standard

cakeordeathsite

Lucifer-Agostino Arrivabene 1997 Lucifero-Agostino Arrivabene 1997

The paintings of contemporary Italian artist Agostino Arrivabene are grounded in the techniques of the Old Masters and inhabit the timeless realm of dreams and mythological, religious archetypes. Against a  backdrop of either luminous darkness or apocalyptic landscape, figures that have haunted the collective unconscious for centuries or longer, Orpheus, Lucifer, Elizabeth Bathory, Persephone, enact sacred ritual dramas. Among  the memento mori lie the possibility of transformation and metamorphosis; an actualisation of becoming.

Arrivabene cites as influences the Symbolist Gustave Moreau, the master of the Northern Renaissance Albrecht Dürer and the Neo-Baroque/Kitsch artist Odd Nerdrum. Also discernible are traces of Max Ernst’s eroding mineral frottage derived inscapes, Giger‘s spectacular visceral transfigurations and Blake‘s sheer burning visionary intensity. In keeping with the Symbolist tendency towards drawing inspiration from literature elements of Ovid, Dante and Giordano Bruno are included within the occult and occasionally infernal worlds…

View original post 84 more words

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.